What I find most remarkable about all the hubbub about the National Security Agency's Prism program is how little new "news" there is to Edward Snowden's "revelations."
After all, the NSA's mission has been to intercept communications and break codes ever since it was founded in 1952. Combine that with the Patriot Act, and anyone who's bothered to read the books of NSA expert James Bamford over the last few years won't find anything in the least bit surprising about Prism.
It's possible, of course, that the NSA is doing something technically interesting, like intercepting and breaking SSL-protected Internet communications. But the NSA doesn't have to bother with deciphering your PGP-protected love notes to your sweetie to know what you're up to. No, they can combine their age old techniques of working with metadata and traffic analysis with 21st century big data analysis to have a darn good idea of what you, along with everyone else, are doing.
It's not just the NSA, though. Big Internet businesses have been using the same techniques to deliver customized Web experiences to you for almost twenty years.
It's metadata that gives anyone with access to your data, not just the NSA, the ability to work out what you're up to even if your data is locked up and encrypted.
Unless you're a serious photography, video, or music collector, you may not know about metadata. It's "data about data" -- or, more properly in this context, it's data about content. When you look at a Web page, a photo, or an e-mail message, what you see is the human-readable content. Hiding underneath that picture of a kitten, the ITworld Web page, or a note from your mom, is all kinds of data about what you see.
With a digital photograph, there can be dozens of data fields. There are multiple formats for this data. The most popular are Exchangeable Image File Format (EIFF), International Press Telecommunications Council (IPTC), and Adobe's Extensible Metadata Platform (EMP).
A photograph's metadata can record the camera that was used to take it, and the date and time it was taken -- along with the location, if the camera has a GPS. If you edit your photograph, the metadata can also be used to record what software and operating system you used. And with the right software, or even a Website like exifdata, you can read any image's metadata.
If you think that's bad, consider all the information that the MIT Media Lab Immersion program can pull up about you from just the From:, To:, CC: and Timestamp fields of the messages in your Gmail account. Stunning isn't it? When you take a closer look at in the traffic analysis, you'll see it's actually far more revealing than it looks at a casual glance.
Not worried? Think you can dodge around e-mail tracking with a few simple tricks? That's what former CIA director David Petraeus thought -- and he was wrong, wrong, wrong. Petraeus and his mistress Paula Broadwell used Gmail to communicate, but never actually sent messages to each other. Instead, they used anonymous email accounts to leave drafts of messages for the other to read. Safe? Anything but.
While they did avoid the common mistake of using their home Internet accounts, Broadwell, at least, logged into the various mail accounts from public hotel Wi-Fi networks. From there, it was simply a matter of collating guest lists from various hotels, IP login records, and, eventually, it appears, access to the actual drafts.
So it was that the head of the CIA itself was brought down by an FBI investigation of anonymous e-mails. Do you think you can do better? I doubt it.